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Given our current interest in the way space is ‘imagined, evoked and populated within the constraints of the proscenium arch’, I thought you might be interest in this. Canadian director Robert Lepage (whose production,‘The Blue Dragon’ was presented at last year’s Melbourne Festival) has commissioned the Montreal-based company, Realisations to create a 3D-design for one of the scenes in the Metropolitan Opera’s new ‘Ring’ cycle.
The technology has been developed by digital artists, computer programmers and lighting experts over a number of years and does not require the audience to wear 3D glasses. According to the New York Times, the effect is created by using ‘a bank of projectors, motion-capture cameras and computers to fashion the images. The tilt of the on the stage allows for hundreds of different projections, changing in slivers of a second, at different depths to help create, say, the colour, shading and contour of a rock, or at least (enough) to convince the eye’. If all goes according to plan it will certainly be a tough act to follow!
It‘s fascinating to see how easily the eye can be tricked with clever 3D work. It reminds me of 3D pavement art by people such as Julian Beever.
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I'm not up on the 3D pavement art - will have to check it out!
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